1931 Frankenstein Poster Sells for World Record Amount at Auction

 

Frankenstein, 1931 starring Boris Karloff. Insert Poster.

Frankenstein just stomped Casablanca.

That’s not an indie horror movie, but the results of a world record setting auction on July 27. As reported on artdaily.com, an original 1931 “insert poster” for the Universal movie Frankenstein sold at Heritage Auctions for a record $262,900. It is the only confirmed insert poster for the 1931 Boris Karloff film known to exist. To make the story even nicer, the consignor was Keith Johnson of Ottawa, IL who had bought the poster for about $2 in 1968 at an antique store and just kept it in a closet. The pre-auction estimate put the price at perhaps $50,000 – it went for over 5 times that amount!

The previous record holder for highest price paid for an insert poster was  $191,200 bid in 2012 for a “Casablanca” poster.

An “Insert Poster” is vertical format American movie poster that measures 14″ x 36″ and is printed on card stock. These were made to be displayed in standard sized window frame displays in movie theatres. Movie studios stopped issuing these in the early 1980’s, according to the CineMasterpieces website.

Posters are a uniquely powerful form of media with a brilliant cultural history. They have weilded political power, changed minds and attitudes, and served as influential icons of art, politics and popular culture. Think of the “Wanted” posters of Depression-era gangsgters, the pin-up girls from World War II, music and movie posters from the sixties and seventies, and political posters from every campaign since the press was invented. In the digital age, posters have proven no less powerful –  the Obama “HOPE” posters or the art generated by the Occupy movements. Look around town at the musical, political and social events being advertised in shop windows and on phone poles. The poster is alive and well and as intersting as ever… and proof that PRINT IS POWERFUL!

 

Rely on your printer for advice and direction in creating and distributing posters of your own. Advertize an upcoming event, promote your business or your politics, or generate your own cultural meme! To get yours produced at the best price, and seen both online and in public, the best advice, always, is to ASK YOUR PRINTER!

 

ImageSmith is a full-service print and marketing provider located in Arden, North Carolina. Contact us at ImageSmith for quotes on all your marketing projects, and more useful tips on how to create custom, effective, high impact marketing solutions.

Quick Photoshop Tip: Seperate Layer Effects Onto Their Own Layer for Editing

Separating Photoshop Layer Effects onto their own layer

Simple tips are often the most useful. In Photoshop, I’ve found this one to be very handy for editing Layer Effects in the Layers palette. Finding it is not the most accessible or intuitive – so hopefully this can be helpful.

Layers in a Photoshop file allow us to manipulate and edit different parts of the image individually, using transparency, masks, blends and filters to alter and manage how the finished photo will appear. The Layer Style palette allows you to add different effects to that specific layer: drop shadow, bevel and emboss, Outer Glow, Gradient Overlays, etc.  But often, designers find a need to edit the Layer Effects seperately, beyond the controls within the Layer Style window. I often find a need to adjust the drop shadow independently of the layer to which it is married, reshaping it in order to give the desired perspective.

Tip to edit layer effects on their own layer

Photoshop of course provides a way to do this, but it isn’t a simple function listed under the Layer Style drop-down palette: from the top menu bar, choose Layer – Layer Style – Create Layer. Notice in your Layers palette that the effect has now moved onto it’s own layer and can be manipulated individually from its Master layer. Photoshop also conveniently names the new layer after the effect you applied. Some effects, such as Bevel, require multiple layers to be created in order to maintain the effect. You can then edit as needed. In this sample we distorted the drop shadow down into a shape that appears to be a more realistic cast shadow from a standing zebra.

Moving a layer effect in PhotoShop to its own layer

 

Photoshop is constantly changing, but Adobe provides great tutorials online to help you learn new tips and techniques. Also, stay abreast of latest news and inspiration from industry insiders at the photoshop.com blog.

 

Printers understand communication and design. Your printer should be able to provide you with the latest information, inspiration, technical advice, and innovative ideas for communicating your message through print, design and typography, signage, apparel, variable data printing and direct mail, integrated marketing and environmental responsible printing. They should also be able to work with you to solve any difficult prepress issues with your files. If they can’t, you have the wrong printer! The best advice, always, is to ASK YOUR PRINTER!

Call us at 828.684.4512. ImageSmith is a full-service print and marketing provider located in Arden, North Carolina. Contact us at ImageSmith for quotes on all your print and marketing projects, and more useful tips on how to create custom, effective, high impact marketing solutions.

Newsweek’s Prophetic 1993 Vision of the Future

Cover story on Interactive Technology from Newsweek

We came across this magazine recently in our shop. Twenty years ago, the May 31, 1993 edition of Newsweek featured a cover story that envisioned what the future might hold once information began to race along a looming “superhighway.” While this fast approaching digital revolution was undeniable, the details of how it would change everyday life for all of us were largely unclear. Change on that scale is both exciting and intimidating, as we all have learned over the past two decades. With speculation rampant, Newsweek journalists Bill Powell, Anne Underwood, Seema Nayyar, Charles Fleming, Barbara Kantrowitz and Joshua Coooper Ramo envisioned a surprisingly accurate overview of how technology was preparing to change our lives.

Arguably the most impressive techonological accomplishment during my early childhood was the NASA moon landing. I remember being aware in 1969 that my grandmother, who lived with us and was born in the 1890s, had been my age at a time when even flight seemed a ridiculous concept. Now she was sitting beside me watching a man step out onto the moon’s surface. That fast pace of change in one lifetime has of course continuted to accelerate. The world of 1993, only twenty years ago, stood on the cusp of the digital revolution, although the term “internet” was still largely unknown. 27% of American households had a home computer, but many admitted to using it less than 5 hours a week! Fiber-optic cable was far from universal, movies were rented at brick-and-mortar stores to be viewed on VCRs. The CD ROM was an amazing new invention that could store video, music or text on one disk but needed a specialized player to be accessed.

In their focus on the potential of what was about to happen, Newsweek chose the concept of “interactivity.” The future would allow consumers to be participants in their consumption of entertainment and services, no longer just a “couch-potato” who passively viewed and absorbed information. The missing pieces in 1993 for this sea change were the expansion of fiber optic cable networks to connect us, and huge investments in infrastructure, technology and content that the major players in the cable, communications and entertainment sectors were deploying. Looking ahead from this landscape in 1993 with amazing prescience, Newsweek envisioned:

  • Video phones with clear pictures (and lens covers to ensure privacy)
  • “New age goggles” and virtual reality that a “mighty computer” would be able to deliver
  • Lightweight, compact laptop computers. “Work will never be more than a keystroke away.”
  • HDTV with a sharper than ever screen picture
  • Software to be used for education.
  • “Viewer-directed” movies and video games where the user can choose alternate endings or direct the entire action.
  • On-demand movies and channel selections. (In 1993, only one network in California offered “interactive TV programming” where you bought a device for $199, then paid $15 to interact with game shows or predict sporting events.)
  • An early concept of “icons” on a computer screen that search the “superhighway of information” for news uniquely tailored to a person’s interests…. and then connect to other people with those same interests – social media in it’s infancy!

A central concept our 1993 world had trouble envisioning was through what devices in our households would we be accessing this interactivity, and who would be paying to do so. Would it be through our TVs, phones or personal computers? If these “smart boxes” as Newsweek calls them, grow too complicated, would people want to deal with them after a long day’s work? How much would we be willing to pay to access banking, entertainment, or investment information?

This article also accurately foresaw the dilemnas and coming ethical conflicts our new interactivity would generate:

  • Al Gore was advocating for a “scheme to build a nationwide fiber-optic network,” and is quoted as saying this “data superhighway” will be the ” ‘most important marketplace of the 21st century.’ ” – He got that right.
  • “It’s quite possible that some entrepreneur in a garage is coming up with a really new idea that will forever alter the best-laid plans.” – A premonition of Zuckerberg and Facebook, perhaps?
  • “Who will protect the privacy of consumers whose shopping, viewing and recreational habits are all fed into one cable-phone company data bank?” – an early understanding of the complexity of privacy issues that abound today.
  • “The government could electronically spy on individuals; bosses could track employees.” – Edward Snowden was about 9 years old when this was written.
  • Of the major players in the industry in 1993 – U S West, Time Warner, AT&T, TCI, Microsoft, Intel, General Instrument, Sega, MCA – Newsweek realized these would “live or die based on the decisions they make in the next decade…. Not everyone is going to make it. Those that do could change everything.”

With all they got right, what is the most surprising thing Newsweek missed in their look ahead? That their magazine itself would, in twenty years time, cease print production at the end of 2012, becoming an online-only digital publication.

Interactivity and the future of technology

Related BLOGPOST: 15 Years of Rapid Change for the World of Print

 

Printers understand communication and design. Your printer should be able to provide you with the latest information, inspiration, technical advice, and innovative ideas for communicating your message through print, design and typography, signage, apparel, variable data printing and direct mail, integrated marketing and environmental responsible printing. They should also be able to work with you to solve any difficult prepress issues with your files. If they can’t, you have the wrong printer! The best advice, always, is to ASK YOUR PRINTER!

Call us at 828.684.4512. ImageSmith is a full-service print and marketing provider located in Arden, North Carolina. Contact us at ImageSmith for quotes on all your print and marketing projects, and more useful tips on how to create custom, effective, high impact marketing solutions.